1.-17. 2. 2019
Compassion Fatigue
Semestral exhibition of the students of FAMU’s Center for Audiovisual Studies. –>
14. 12. 2018 - 27. 1. 2019
CHEAP ART
Is it possible to create an entire art exhibition only by using recycled materials? Cheap Art reflects the long-term interest of the exhibiting artistic duo in the topic of ecology and the relationship of the human to nature. However, this theme has never before been so emphatically pronounced in their work. Through this experiment, the artists are also striving for radical change in their own creative practice. –>
7. 11. - 2. 12. 2018
AMERICAN IDENTITIES
The fundamental truth of the American identity lies in its multiplicity. By speaking simultaneously about individual identity and shared experience, current and former students of the Photography program in the Art Department at SUNY, New Paltz, have found a perfect metaphor for the American identity. „While we remain distinct in history, we are all, ultimately, American,“ says one of the exhibition curators, Leah Renee Monsour. –>
11. - 28. 10. 2018
MEMORY PALACE
MEMORY PALACE is a collaborative project focusing on creative processes. Together with a group of international students from various artistic fields (photography, stage design, animation and choreography) Captain Lightfoot collective explore methods that allow us to create works that are devoid of critical thought and are more free and intuitive. –>
21. - 30. 9. 2018
Final Foto FAMU 2018
An exhibition of the Master’s and Bachelor´s Degree projects from the Department of Photography, FAMU at GAMU and at the studios of the Department of Photography at Tržiště. –>
19. 7. - 2. 9. 2018
Julien Maire, Robert Vlasák: INVERSE MINDSET
This exhibition sheds light (and shadows) on a hidden narrative of optical and kinetic apparatuses. It brings together five works by two artists who have developed a particular, media-archaeological approach to the aesthetics and ideology of the analog technology of the past, seen from the digital era. –>
21. 6. – 8. 7. 2018
Mists of dreams drip along the nascent echo and love no more
End-of-term exhibition CAS FAMU 2018. –>
3. 5. – 1. 6. 2018
DON’T MAKE A SCENE. The offer for work in the field of culture?
Stage Design as a creative process. The presentation of student works from DAMU's Department of Scenography. –>
12. – 24. 4. 2018
DONIA JOURABCHI, TAUFAN TER WEEL: WAVEGUIDES
WAVEGUIDES is a site-specific and site-responsive sound installation by Donia Jourabchi (BE) and Taufan ter Weel (NL) which facilitates different listening situations to explore our relative sense of space and situatedness. –>
11. – 17. 4. 2018
WAVEGUIDES workshop: placing sounds in space, site-specific and site-responsive approach to sound installation
WAVEGUIDES workshop takes place as a part of the homonymous exhibition project by Donia Jourabchi and Taufan ter Weel at GAMU (Gallery AMU) and will result into an addition to their sound installation.14. 3. – 6. 4. 2018
APRIL SHOWERS BRING MAY FLOWERS
IT all goes so smoothly, it seems like will and determination don’t matter here. –>
31. 1. – 4. 3. 2018
FORCE OF NATURE
The floods of 2002 affected also the archive of the Masaryk Institute and Archives of the Czech Academy of Sciences. It contained, among others, colored diapositives and negatives of the Czech geographer J. V. Daneš. –>
15. 12. 2017 – 21. 1. 2018
BLACK BOX, WHITE HAT
The exhibition tracks the contemporary forms of the moving image which consciously make contact with experimental approaches to film-making throughout the history of cinema. –>
8. 11. – 3. 12. 2017
CITY CITY
CITY CITY is a joint project of students from the departments of animation and sound at Prague’s FAMU. The exhibition presents audio-visual installations, projections and an interactive model of the city which appears in the animated film authored by Filip Blažek. The theme of the exhibition is focused on various creative perspectives on the city, understood as a space to which each being relates both physically and emotionally. –>
15. – 24. 9. 2017
FINAL FOTO FAMU 2017
Exhibition of BcA./ MgA. student works from the Department of Photography, FAMU. –>
María Prada: El Saltador
Site-specific installation as part of Lea Petříková’s exhibition “BALANCED”19. 7. – 3. 9. 2017
LEA PETŘÍKOVÁ: BALANCED
The exhibition is inspired by the Minoan taurokathapsia ceremony – the deadly dances with bulls. Who is the acrobat? Is it the artist or the viewer? –>
3. 7. 2017, 17:30
Vendula Guhová: “Ochočárna”
22. 6. – 9. 7. 2017
THIS VERY MINUTE, RIGHT NOW, TODAY
Exhibition of BcA./ MgA. student works from the Center for Audiovisual Studies, FAMU, Prague. –>
10. 6. 2017 (19:00 – 1:00)
Prague Museum Night 2017 at GAMU
Come and visit GAMU during Prague Museum Night 2017!
15. – 17. 5. 2017, always 2 – 7 p. m.
Marloes van Son: Rotation to Sound / Workshop
In this workshop participants will create a crude instrument consisting of a small electrical motor as sound-source and an interface made from cardboard and pushbuttons. The devices will become part of the exhibition for the remaining two weeks.13. 5. – 31. 5. 2017
MARLOES VAN SON: NON-FUNCTIONING FUNCTIONALITY
The “Non-Functioning Functionality” exhibition presents recent works by Marloes van Son (NL), an artist dedicated to the construction of sound instruments and electromechanical installations. –>
4. 5. 2017, 18:30
An Open Discussion on the Flusser Questions
Is there still, in 2017, much in Flusser’s texts which merits revisitation, or are they simply an object of academic scholarship and historical archive work?
5. 5. 2017, 17:00
Ulrich Richtmeyer: Compelling Contradictions in Flusser’s Philosophy of Photography
Ulrich Richtmeyer’s lecture will draw on Flusser’s philosophy of photography, focusing on differences and continuities between technoimages (especially photography) and drawing.5. 4. – 7. 5. 2017
BODENLOS. VILÉM FLUSSER AND THE ARTS
The exhibition “Without Firm Ground: Vilém Flusser and the Arts” at GAMU, Prague presents the life and thoughts of one of the most acclaimed Prague-born intellectuals of the 20th century through the combination of rare documents and artistic collaborations and inspirations. It aspires to weave the threads of Flusser’s private and professional life. –>
